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The OIC then says that his court sentence was X years in prison and Y strokes of the cane. Thus attired, he is brought out to stand in front of the officer in charge, who orders him to state his name and his prisoner number. The caning operative is shown warming up with some practice strokes.Įach prisoner to be caned is made to wear a sort of pinafore that covers the front but not the rear of his midriff, permitting modesty to be maintained in front while leaving his backside bare. We then see prisoners waiting to be caned and being examined by the doctor. The film opens with a sign reading "Caning Station, Seremban Prison" (Tempat Menjalani Hukuman Rotan Penjara Seremban).
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You may not want to watch these films if you don't approve of severe corporal punishment for ruthless, violent, adult male criminals.
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It gives us a comprehensive, uncensored view of JCP being administered in one session to a batch of adult offenders on a production-line basis.įor the first time we are given a ringside seat at a dramatic spectacle in which a series of convicted men are made to undergo salutary retribution for their crimes, methodically delivered via their bared buttocks, with the full panoply of the State. It was made, probably in 2004, at Seremban prison, not far from Kuala Lumpur. The video, total running time 22 minutes, is divided into two parts. On this page is video footage of a genuine judicial punishment session in Malaysia, including several complete canings, ranging from a couple of one-stroke punishments to one of twenty strokes. Farrell With many thanks to the reader who kindly provided the translations from Malay "Even if I was given the opportunity to make a mainstream romantic comedy," he posits, "I'm sure I'd figure out a way to make it a little bit queer.JUDICIAL CORPORAL PUNISHMENT: video clips: Malaysia "I make all these antagonising videos and put them online, and then people read about the social issue documentaries I make and ask me, 'What's the connection?' For me, it's about making work that tells different kinds of stories and pushes the boundaries of what's considered queer."Īfter he finishes the newest CHRISTEENE video, Raval's next project is a long-in-development narrative feature, but don't expect his sensibilities to shift too far from his non-fiction work. But despite their apparent polar opposition to his non-fiction work, Raval insists they're all of a piece. In 2010, he began working on a series of music videos with "drag terrorist" CHRISTEENE that he describes as "aggressive and provocative, but also sweet in a way." The films have all screened at SXSW, and have all, as proudly displayed on his website, been banned from YouTube and Facebook. This kind of universality is what makes Raval's documentaries so interesting, but it takes on a totally different form in his short work. "I wanted to show that the issues they face aren't limited to one person or one city, but it's something that's across the nation." "I really wanted to find people in areas that people don't necessarily think of when they think of the LGBT community," he explains. "For me, making a documentary about three gay seniors is challenging what we consider gay culture to be." This film, Before You Know It, follows the lives of three gay senior citizens in different parts of the USA over the course of three years, and intimately examines the societal issues they face on a day-to-day basis. "I'm interested in stories that challenge mainstream opinions," says Raval.
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In 2008, he released his feature debut, Trinidad, a documentary about a town in Colorado labelled "the sex-change capital of the world", and the transgender community within it. The California raised director's rise to prominence has been a long time coming but, eight years after he was named one of the "25 new faces of independent film" by Filmmaker Magazine, he finally looks set to arrive – in a big way.Īfter dabbling in photography and installation art in his formative years, Raval began making short films at grad school before carving out a successful career as a cinematographer on the American micro-budget circuit. "I used to make fun of filmmakers, and here I am now one of them," laughs filmmaker PJ Raval from his office in Austin.